دانلود مقاله ISI انگلیسی شماره 43577
عنوان فارسی مقاله

راهنمایی جهت ضبط تولیدات سمعی و بصری برای ارزیابی ارگونومیک

کد مقاله سال انتشار مقاله انگلیسی ترجمه فارسی تعداد کلمات
43577 2015 3 صفحه PDF سفارش دهید 1280 کلمه
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عنوان انگلیسی
Establishing Guidelines for Producing Audiovisual Recording for Ergonomic Assessments ☆
منبع

Publisher : Elsevier - Science Direct (الزویر - ساینس دایرکت)

Journal : Procedia Manufacturing, Volume 3, 2015, Pages 1608–1610

کلمات کلیدی
Video making - Guidelines - Ergonomics
پیش نمایش مقاله
پیش نمایش مقاله راهنمایی جهت ضبط تولیدات سمعی و بصری برای ارزیابی ارگونومیک

چکیده انگلیسی

Trajectories in establishing guidelines for producing audiovisual recording for ergonomic assessments. The goal is to organize a basic set of instructions for the Ergonomics professional to proceed the audiovisual making. Considering this task a Service Design (or better a Design for Service), it follows the idea of a generating base that will determine which action or design procedure is necessary. In this sense the centrality or importance of the operator or working person around whom the audiovisual gravitates is unquestionable, valued his vision and his understanding of the working scenery. The formulating of this joint direction (operator and ergonomist), incorporates procedures that are made possible by new and inexpensive technologies such as cameras that can be attached to operators bodies and cellphone video cameras. And shall deal with the difficulties a non expert in video-making will have, such as ideal framing, timing, etc as well as notions how to handle a camera not be shaky, how to approach and deal with the operators etc. The ideas of Kimbell point to the nature of the design for services as exploratory, changeable, and improvable are a reference for this proposal as well as Zizek's, that show the need of different points of view to better understand a certain reality. We may think also of Ranciére that identifies new ways of discoveries that can be called art. The proposal is to abolish the separation between the one that has the camera and the one that is videotaped and in this sense it becomes a joint production where the operator is decisive.

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