خطای حسی گلیساندو (سرش نغمه ای) و دست برتر
|کد مقاله||سال انتشار||مقاله انگلیسی||ترجمه فارسی||تعداد کلمات|
|77618||2007||8 صفحه PDF||سفارش دهید||6512 کلمه|
Publisher : Elsevier - Science Direct (الزویر - ساینس دایرکت)
Journal : Neuropsychologia, Volume 45, Issue 13, 2007, Pages 2981–2988
This article reports the first study of the glissando illusion, which was created and published as a sound demonstration by Deutsch [Deutsch, D. (1995). Musical illusions and paradoxes. La Jolla: Philomel Records (compact disc)]. To experience the illusion, each subject was seated in front of two stereophonically separated loudspeakers, with one to his left and the other to his right. A sound pattern was presented that consisted of a synthesized oboe tone of constant pitch, together with a sine wave whose pitch repeatedly glided up and down (the glissando). These two components alternated continuously between the loudspeakers such that when the oboe tone emanated from the loudspeaker on the left, the glissando emanated from the loudspeaker on the right; and vice versa. The oboe tone was perceived correctly as switching between loudspeakers; however, the segments of the glissando appeared to be joined together seamlessly, such that a single, continuous tone was heard, which appeared to be moving slowly around in space in accordance with its pitch motion. Right-handers (n = 22) tended strongly to hear the glissando move between left and right, and also between low and high in space, as its pitch moved between low and high. More specifically, it was frequently heard as tracing an elliptical path aligned diagonally between a position low and to the left when its pitch was lowest, and high and to the right when its pitch was highest. Non-right-handers (n = 42) perceived the illusion in statistically different ways. The handedness correlates and other implications of the glissando illusion are discussed.