ضد فاکتوریسم، آرمانشهر و جغرافیای تاریخی: سالهای برنج و نمک کیم استنلی رابینسون

Though counterfactual histories are treated with suspicion by some historians, they can be both useful and politically progressive. In fact it is possible to argue that counterfactual historical geographies might even be utopian. Though this seems counter-intuitive (how could alternative histories imagine a better future?), both histories and utopias encourage a kind of popular historicism, a sense that things have been (and could be) different. Whether this makes counterfactual fictions utopian depends on how you define utopia. Recent critical re-appraisals of the concept have suggested that we might think of it as a process, an ongoing critique of the present, not as an end in itself. Counterfactual histories can be utopian because they encourage a critique of teleology and determinism; their geographies can also be utopian because they remind us that spaces are multiple and open. A close reading of Kim Stanley Robinson's Years of Rice and Salt (2002), a novel that describes a world without Europe after a more virulent version of the fourteenth-century plague kills everyone west of Constantinople, demonstrates that counterfactual historical fictions present an unequalled opportunity to reflect upon the practice of history. The novel also suggests that counterfactual historical fictions also allow for a critical evaluation of the nature of space. The paper concludes by demonstrating the value of counterfactual fictions through their representations of history, and of spaces of movement, multiplicity, and agonistic encounter.