درک تنوع، اشتراک و متعالیه از طریق هنردرمانی
|کد مقاله||سال انتشار||تعداد صفحات مقاله انگلیسی||ترجمه فارسی|
|30458||1997||2 صفحه PDF||سفارش دهید|
نسخه انگلیسی مقاله همین الان قابل دانلود است.
هزینه ترجمه مقاله بر اساس تعداد کلمات مقاله انگلیسی محاسبه می شود.
این مقاله تقریباً شامل 978 کلمه می باشد.
هزینه ترجمه مقاله توسط مترجمان با تجربه، طبق جدول زیر محاسبه می شود:
- تولید محتوا با مقالات ISI برای سایت یا وبلاگ شما
- تولید محتوا با مقالات ISI برای کتاب شما
- تولید محتوا با مقالات ISI برای نشریه یا رسانه شما
پیشنهاد می کنیم کیفیت محتوای سایت خود را با استفاده از منابع علمی، افزایش دهید.
Publisher : Elsevier - Science Direct (الزویر - ساینس دایرکت)
Journal : The Arts in Psychotherapy, Volume 24, Issue 3, 1997, Pages 225–226
Pergamon The Arts in Psychotherapy, Vol. 24, No. 3, pp. 225-226, 1997 Copyright 0 1997 Elsevier Science Ltd Printed in the USA. All rights reserved 0197.4556/97 $17.00 + .OO PII SO197-4556(97)00047-6 APPRECIATING DIVERSITY, COMMONALITY AND THE TRANSCENDENT THROUGH THE ARTS THERAPIES PENNY LEWIS, PhD, ADTR, RDT/BC* The call for papers for a journal issue on the “Mul- ticultural Application of the Arts in Psychotherapy” resulted in such a high response on a special focus for The Arts in Psychotherapy that it prompted a decision to publish two issues on this profoundly significant topic, What we have discovered is that the use of the arts in the area of multiculturalism is a many-faceted subject. In the first special issue (Vol. 24, No. 2, 1997) Dosamantes-Beaudry began the ex- ploration of how culture is developmentally trans- ferred. Bradt and Coseo focused on the need for the therapist to be aware of his or her own world view as well as what it means to be a culturally sensitive creative arts therapist. Application articles from Farr, Linden and Landy addressed the use of the arts in psychotherapy with individuals whose race and cul- ture differed from those of the therapist. Antinori and Moore discussed the use of drama in diversity aware- ness training. In this second special issue on multiculturalism and the arts in psychotherapy, Pallaro furthers the exploration of Dosamantes-Beaudry’s article with an in-depth discussion of “Culture, Self and Body-Self: Dance/Movement Therapy with Asian Americans.” Pallaro holds a magnifying glass up to some of the Western psychological theorists’ views of such topics as healthy human development and their focus upon separation and individuation and the spiritually reduc- tive approaches that devalue and ignore the profound and pervasive significance of the transpersonal in the daily existence and world view of Asians from vari- ous cultures. She views dance/movement therapy as a medium that creates and supports a facilitating envi- ronment for the process of biculturalization. Dance/ movement is capable of holding both cultures allow- ing participants to explore their relationship to both world views without discounting either one. Lewis’ article, “Transpersonal Arts Psycho- therapy: Toward an Ecumenical World View” con- tinues Pallaro’s discussion of the religious and spiri- tual biases of therapists and their perceptual frames and their effect upon psychotherapy with individuals who hold divergent belief systems. The history and range of Western theories of transpersonal psycho- therapy are traced and current or neo-transpersonal approaches discussed. Lewis then explores the role of the arts therapist as the modem priest and shaman who, as in early civilizations, combine art and spiri- tual beliefs toward the healing of the individual and the well-being of the community. Clinical cases fol- low, describing creative arts processes with three cli- ents who hold differing transpersonal frames. Linden’s “A Festival of Light” describes the cre- ation of a healing arts event in a high school that utilized an archetypal transpersonal symbolic theme to assist in the celebration of diversity and common- ality among a multi-ethnic school body. In describing the creation of this celebration, Linden discusses the way in which the “transpersonal draws individuals together through manifesting a conscious intention that had the power to transform all who participated” (p. 255). The creation and perhaps invocation of the *Penny Lewis is Guest Editor of this issue, Senior Associate Faculty at Antioch-New England Graduate School and in private practice in Amesbury, Massachusetts. 225